
Album: Stadium Arcadium
Producer: Rick Rubin
Album Length 2:02:41
Release Date: 5 May 2006
Country: United States of America
Genre: Alternative, Rock
Band Members:
Flea - Bass/Trumpet
John Frusciante - Guitar/Background Vocals
Anthony Kiedis - Vocals
Chad Smith - Drums
Disc One: Jupiter
1. Dani California
2. Snow (Hey Oh)
3. Charlie
4. Stadium Arcadium
5. Hump De Bump
6. She's Only 18
7. Slow Cheetah
8. Torture Me
9. Strip My Mind
10. Especially In Michigan
11. Warlocks
12. C'mon Girl
13. Wet Sand
14. Hey
Disc Two: Mars
1. Desecration Smile
2. Tell Me Baby
3. Hard To Concentrate
4. 21st Century
5. She Looks To Me
6. Readymade
7. If
8. Make You Feel Better
9. Animal Bar
10. So Much I
11. Storm In A Teacup
12. We Believe
13. Turn It Again
14. Death Of A Martian
When Foo Fighters released In Your Honor in 2005, a double disc album - I thought it sucked. Mainly because they tried too hard, and after the first few songs, the album starting to sound too blatant. Every song sound the same, a repetition it's almost like they have recorded a bunch a song, and decided to put it in one album, without filtering out the bad ones, and hence a mundane record. Sorry, sometimes double-album just doesn't do it for me, and the conclusion I have is - don't make a double album unless you can fill the two album with good songs.
Unlike the Foo Fighters or any other double album out there, Red Hot Chili Peppers pulls it off with their most ambitious work yet of their twenty-three-career, Stadium Arcadium, the twenty-eight-song-double disc extravaganza - their most accomplished follow-up to their California recordings.
It's not hard to understand their intention with Stadium Arcadium. Red Hot Chili Peppers have come a long way to reach their status today. When formed in 1983, Red Hot Chili Peppers were a Hollywood band, and after releasing their first 4 miserable album, theme revolves around hard drugs and pathetic sex accompanied by utter chaos and tuneless vocals of Anthony Kiedis, Red Hot Chili Peppers were not million-copies-selling material. Following the death of their funding guitarist, Hillel Slovak, found overdosed in 1988, they traded their Hollywood dreams for the California dream. It was in 1991, they released Blood, Sex, Sugar, Magik under the producer Rick Rubin, the Chilis finally immersed from under the bridge to mainstream market. Gone are the days of socks hanging on their willies, Red Hot Chili Peppers work their way to a define their music, and finally succeded in 1999's Californication, making them the household name in United States. By 2002's By The Way, they already conquered the world selling millions of copies, picture one in every 35 Brittons own a copy of By The Way. And their latest release, Stadium Arcadium is their attempt to consolidate everthing they have done in the last decade, from Blood, Sugar, Sex, Magik to Californication to By The Way. Produced by same longtime Red Hot Chili Peppers producer, Rick Rubin, Stadium Arcadium spread out over two hours of joyful listening pleasure of two disc, first named "Jupiter" and the second named "Mars", which each contains 14 songs. This album is a testament of what they do best; a psychedelic mix of spacial guitar-bass breaks with funky and physical arrangements that boost every track so effortlessly.
Much of the credit for this album's success goes to guitarist John Frusciante. Since being told by Kiedis "clean it up, Johnny," and making a come back in Californication, Red Hot Chili Peppers took a new turn in their music path, and in Stadium Arcadium we finally see them in full bloom, and noticed spotlight shifted from lead singer Anthony Kiedis, to John Fruschiante. If anyone loved the almost orgasmic solo by John Frusciante in "Scar Tissue", "Otherside" and "Californication", be prepared to hear the even more orgasmic solo in Stadium Arcadium, thanks to the brilliant arrangement, Frusciante was given a slot to showcase his talent in almost every single track. In fact it's not too exaggerating to dub John Frusciante the best living guitarist, because he is simply a genius. From near-fatal drug addiction to rehab and to the hero in Red Hot Chili Peppers, John Frusciante finally able to redeem his spot as a guitar master, and he just can't wait to do it. In the opening track, "Dani California", he showed off his talent with the amazing Jimi Hendrix guitar solo style and then did it again in "Wet Sand". His beautiful and immaculate style creates a new depth and dimention to each track, and hence producing the complete, almost perfect Stadium Arcadium.
Of course, Red Hot Chili Peppers are a true band, where everyone plays their part, and no one is ever replaceable. Bassist, Flea, regarded as one of the world's best bassist is in full bloom too, totally taking control of the mostly bass-driven "Tell My Baby" then moving to the funky-franting-popping bass in "Toture Me" and "21st Century" it's a true joy for the listeners. And then there's Kiedis, the lead vocal showing versality throughout the album, from singing with shouting and slurring to his original roots of rap-rock, he embrance each track and layer them with his deep emotions. And last but not least the drummer Chad Smith, beating the drum hard core like there is no tomorrow, creating head-phone candy arrangements that the listener could only enjoy with a pair of high-end headphone, or a sub-woofer.
Now lets start with the content, Disc 1 dubbed Jupiter is unquestionably the side that contain most of the best songs, and I bet most of the singles would've came off Jupiter. Dani the girl.. (By The Way) appeared for the third time in "Dani California", the opening track, also the first single of this album, is probably the popest, and catchiest song in Stadium Arcardium and sure to be another summer anthem. "Charlie" is another powerful gem, starting with monochromatic guitar breaks, and suddenly bursts into the crazy falsetto harmonies of Frusciante's guitar solo. Glimpses of By The Way and Californication influence is evident in the rather mid-tempo tracks "Slow Cheetah", "Strip My Mind" and "Wet Sands" which are equally infectious on it's own way. Omar Rodriguez of Mars Volta made a guest-appeareance on "Especially In Michigan" playing the solo, apparently because John Frusciante appaeared on one of the track in Mars Volta's debut album, De-Loused In Comatorium.
Moving on to Disc 2, the one called Mars, presumably because it's a bit further, and hence harder to reach. While I haven't throughly listened to Mars, there are some worth mentioning highlights include "Desecration Smile", which retains the feeling of "Scar Tissue" and "Californication". "Turn It Again" is a perfect blend of the four-piece, with the spatial bass breaks of Flea, the yearning vocal of Keidis and finally ends with the almost two-minute intricate-final-crushing-mind-blowing guitar solo of Frusciante, this is one of the true gem in the album. Finally, the Chilis experimented a little in "Death of A Martian", the closing track for Stadium Arcadium, revealing the softer side of Red Hot Chili Peppers, with the almost psychedelic bass chanting alongside with Keidi's vocal.
Stadium Arcadium would probably recieve two extreme critique, either very good, or mediocre. For die hard Red Hot Chili Pepper's fans, Stadium Arcadium could probably be their best album to date. For Red Hot Chili Peppers dummies, this album would probably be the best to summarize their musical journeys in twenty three years, and for strict music critics, they would probably think Red Hot Chili Peppers played it way too safe and stayed in their comfort zone. Nothing groundbreaking. Some might say the Chilis could have done better if they narrowed down to few good tracks and working on the strong points instead of working with mere 30 songs and produced a 28 track album. Where I am neither of those, I think Stadium Arcadium is neither about making statement, or breakthrough. Stadium Arcadium is Red Hot Chili Peppers at their top of their game, at their state of total indulgement and freedom, almost like their California-dreams-came-true-moment. Out of 28 tracks of Stadium Arcadium, there are at least 14 stand-out singles, while more songs could possibly grow on the listener, Stadium Arcadium is the 21st century's answer to the period of Queen, Led Zeppelin and Guns 'n' Roses. Stadium Arcadium is an epic.
Beaker's Verdict: A+





That is why, I find comfort from my friends. I am lucky because whether I am back home in M'sia or New Zealand, I have friends that I could find comfort from. People who don't judge me, people who accept me as it, and had never expected anything out of me or the friendship.




Album: Everything All The Time
Actually I just got back home from a rather horrid movie experience. Well I just watched the supposedly funny Ice Age 2: The Melt Down with couple of my friends and the movie was actually pretty entertaining, I mean it kinda funny, you know, with enough laugh-able moment but apparently for other audience, it was like a like nut-busthin, jaw breaking, salive bursting omg, omg it was sooooooooooooo funny, omg, omg, I can't stop laughing flick. Puh-leeeeeseeee peoples.


There was one thing I hate about the band, though it has nothing to do with their music. I don't know if it's their idea to imitate Greenday or it was bad marketing. I mean come on, dyed-red hair with spray paint in the hand and red graffiti on the background, this is just so no original.

